Tuesday, Nov. 27th
Pacific Theatre (fb)
With David Simard
and Brie Nielson
Wednesday Nov. 28th
Duo tour with
Thursday, Nov. 29th
Denman Island, BC
Duo tour with
Friday, Nov. 30th
Hornby Island, BC
Duo tour with
Saturday, Dec. 1st
Duo tour with
Thursday, November 22, 2012
Wednesday, May 16, 2012
Sunday, April 15, 2012
However, they've left room for three more Western-Canadian acts to jump on board, and they're deciding it all with one of those online voting contests. I doubt I have to express to you how much I love trains, and so you can only imagine my excitement to learn that my oh-so-Western-Canadian-side-
I appreciate your support. LMNOP and voting info below.
Love and kindness,
Wednesday, April 11, 2012
I've been away. It's been a wild time. So much has happened. So little time to blog.
But that's over now, Poets, I softly promise that much. I intend to use this space to gather the musings I already create elsewhere, like on my website (http://www.davidnewberry.ca/), podcast (http://www.newbsradio.com/), journalism (such as contributions I have made to BC Musician and the Toronto Tempest), as well as my personal musings about life, the universe, and everything. Don't Panic.
But I'll start with an announcement that a record I started making 13 months ago has finally seen the light of day. It is called "No One Will Remember You," which, while it may sound negative, is actually a celebration of subtlety, and of doing things for the right reasons, not the flashy ones.
I'm trying to be as un-subtle as possible with this release, and the irony isn't lost on me. But we worked hard to make it and we want you to hear it. You never know what people will think when you give them something you love. It's a marriage proposal to yourself, of sorts, but the public decides the answer. Everyone who worked on this record is really proud of it, and stuffing it in the mailbox addressed to people who are professionally employed to be critical is a somewhat terrifying experience. But I'll tell you what: So far it has gone smashingly. If it's alright with you, I will make this post short, and just give you a snippet of what people are saying so far.
Okay, Poets, I will see you on the flip side. If you have any questions about the record or the tour you can visit my website or drop me a line at email@example.com. I miss you.
Exclaim! Magazine thinks that: "Newberry can be filed alongside the likes of young troubadours like Jerry Leger and Corin Raymond as evidence that Canadian roots music is in good hands."
Alan Cross (yeah) says that Newberry has "equal parts 'The River' era Springsteen and Neil Young folk rock elements in his music," and says we've made a "Soulful, really impressive sophomore album."
Megaphone Magazine observes that "Newberry’s style and sound straddle both folk and rock, and the album can feel both light and dark, somber and uplifting at the same time."
Roots Music Canada says the record is full of "Songs. Real songs, together with a sound that’s strong enough to set him apart from more everyday singer-songwriters."
ThoseWhoDig say: "Ripe with nostalgia, infectious melodies, and a comfortable feeling of song familiarity Dave Newberry's new release is a must have."
Victoria's Martlet says: "Alive with bright pedal steel and a sort of critical Canadiana, the album is flushed with sentimentality for Newberry’s home country as well as a frustration with its many ailments... Lyrical craftsmanship of a consistent calibre is the heart of this album."
Vancouver Weekly graciously states that: "Newberry’s cheekily-titled sophomore effort, released through Vancouver’s Northern Electric label and produced by Adam Iredale (of Fish and Bird), amplifies the momentum created by his 2010 solo debut, When We Learn The Things We Need To Learn."
Until next time!
Thursday, November 4, 2010
Provincial Court of Alberta
1A Sir Winston Churchill Square
Edmonton, AB T5J 0R2
01 November 2010
To whom it may concern,
Included is payment for a ticket I received in the city of Edmonton on October 4th, 2010 for 'failing to cross roadway within a crosswalk'. I accept guilt for this infraction, and as a result, am not contesting the violation. I would, however, like to make a brief comment about the 'policing' strategy that resulted in this situation.
I was given this ticket by peace officer Eric Diaz when I crossed an empty street from the downtown public library to the public square. Officer Diaz was not the only officer in the square that day. At one point, I observed five peace officers in the square giving tickets to everyone who crossed from the public library to the public square. I am aware of the fact that 'J-Walking' is a charge that was created under the auspices of pedestrian security, but these tickets (mine included) were handed out predominantly to people who had crossed the road in a manner that was completely safe, while the section of roadway in question was completely free of moving vehicles. However, my complaint is not with the by-law itself, but with the manner in which it was enforced. As we know, by-laws cannot be enforced upon everyone who violates them, but must be enforced selectively, and it is with this selection process that I believe your Peace Officers are acting in a misguided manner. I believe the group of people that was targeted in this scenario indicates a flawed approach not only to policing, but to urban development in general.
Aside from the fact that ticketing pedestrians seems a curious method of fundraising for a city that has undergone protracted periods of economic boom, mass-targeting people who are travelling from the library to the public square is a curious enforcement strategy that punishes the type of people that modern cities should desire, rather than push away. Further, users of these types of spaces, broadly speaking, tend to be from lower income brackets than street-crossers in other parts of the city. Targeting people with lower incomes is a maddening tactic of law enforcement. Most importantly, however, as cities transform in the 21st century, policing tactics that punish the type of people who would travel from one public space to another - for getting in the way of cars - promises to put your city on the wrong track to the future.
I am a musician and storyteller who travels Canada constantly, spending a fair amount of time in many different Canadian towns and cities. In time, your city would have received significantly more than 57 dollars in direct and indirect revenue from my time spent in Edmonton. However, I find the policing strategy behind this violation so wrong-headed, that this is the last 57 dollars I will spend within city limits. I tell the story of this municipal policing strategy regularly, and my audience members (including those in all parts of Alberta) find it equally curious and appalling.
To be clear, I am not reacting to or angry about my own personal financial loss, but instead, attempting to draw attention to the flaws in the overall policing strategy that I saw being applied for many hours on October 4th, and that I am told is applied fairly often.
CC: Edmonton city council.